Silo 65-inch 4k Ultra Hd Led Tv Review

When total-array backlights appeared in LCD panels a few years agone, they were only included in the highest-priced sets.

Now Vizio, maker of value-oriented HDTVs has gone all-in past adding the technology to its entire line of televisions from the entry-level East-series up to the flagship Reference-series models. Today I'm checking out the M65-C1. It's an Ultra Hd console with 32 active zones that are selectively and automatically dimmed or brightened to expand the panel's native dynamic range. What this ways is deeper blacks and brighter whites in the same image for perceived dissimilarity that's well beyond what's possible with traditional edge-array backlights.

Highlights

Vizio 4K M65-C1 Ultra Hd TV

• Zone dimming for increased dynamic range
• Color-accurate calibrated picture modes
• Vizio Internet Apps Plus smart TV interface for streaming content
• Ultra Hd resolution
• HDMI 2.0 with HDCP 2.2 support
• Remote control with QWERTY keyboard
• Astonishing value

Introduction

Even though LCD is at present the dominant technology used in both televisions and calculator monitors, it suffers from one significant weakness, poor dissimilarity. Compared to today's OLED screens or the at present unfortunately-dead plasma console, LCD with its e'er-on backlight is unable to produce truthful blackness. There's brightness to spare just without deep black levels, they merely can't render the kind of image possible from other technologies. Or can they?

VIZIO 4K M65-C1 ULTRA HD Telly REVIEW SPECIFICATIONS

Panel Type:

LCD with 32-Zone Array LED Backlight

Native Resolution:

3,840 x ii,160

Maximum Refresh Rate:

120 Hz

Screen Size:

65" Class, 64.5" Viewable

Aspect ratio:

16:9 (1.78:1)

Input Signal Compatibility:

Upwardly to 3,840 10 2,160 @ sixty Hz

Audio:

x Watts 10 two Speakers, DTS Simulated Surround Way

Video Inputs:

4 HDMI 1.4a, 1 HDMI ii.0, i Shared Component/Composite

Audio Outputs:

Optical Digital Output (DTS & Dolby Digital 5.1, PCM), 1 RCA

Data Inputs:

1 USB, i LAN, Built-in WiFi (802.11ac)

Ability Consumption:

<0.5 Watts Standby/94.2 Watts Max

Size:

35.37" H x 57.39" W x 11.sixteen" D

Warranty:

One Year Parts and Labor, Lifetime Tech Back up

SECRETS Tags:

Vizio, Vizio M65-C1, Ultra Hd TV, HDTV

Manufacturers have long worked to improve this aspect of LCD performance through diverse dynamic dimming options fabricated possible by the LED backlight. Since LEDs can exist switched on and off many times per 2nd, it's possible to control effulgence very precisely in club to brand blacks blacker while maintaining brilliant highlights.

With an edge array, at that place is just so much that can be washed to improve contrast. But when you place the LEDs directly backside the panel, you tin can selectively dim specific zones to meliorate the contrast of the image on the screen at the time. It'due south a technique known equally zone-dimming and until at present information technology was merely bachelor on the most expensive televisions.

Vizio began as a value-priced make back in 2002. By designing and engineering their products in the US (Irvine, California to be exact) and so manufacturing them away, it heralded a major cost drop in LCD televisions to the point where big-name companies like Sony and Samsung are now scrambling to compete.

With the latest models they're really focusing on picture show quality with technologies like HDR, wider color gamuts, calibrated picture presets and of form, better dissimilarity. To that end, they've added full-array backlights to all their Due east- M- and Reference-serial displays.

I've long wanted to cheque out a console like this and I finally got my opportunity when Vizio sent me an M65-C1 65-inch Ultra Hard disk TV, commonly referred to as 4K. With a 32-zone backlight and many other features to tempt the videophile, it promises pinnacle performance for but $1500. Tin it measure up? Let'south take a look.

Design

The M65-C1, and all the members of the Vizio Chiliad-series are simply styled with a sleeky forepart screen layer, satin-finished aluminum trim band effectually the sides and a smooth plastic back. The bezel is black and just shy of one-half-inch wide so from a normal seating distance, the panel appears borderless.

The only distinguishing feature about the Television set's front is a pocket-size Vizio logo in the lower right corner. The screen coating does a reasonable job of rejecting light simply it will pick upwards stray reflections if y'all have something shining direct on it. An instance would be a sunny window only opposite the set. At an angle though, at that place are no highlights.

The stand is made from cast aluminum and consists of ii pieces that bolt on. They await small simply in practice the panel is quite stable. Information technology'due south non too heavy so if you place the Telly on a solid surface, you'll be fine.

From the side the M65-C1 is of boilerplate slimness. You can see the nice aluminum trim in this photo. The back plastic tapers in so yous can't run into the inputs or any vents from the side. This makes it await better when mounted on a wall. Speaking of that, you lot'll detect a standard 400mm VESA bolt pattern around back for that purpose.

Inputs are recessed on ii jack panels. There are 5 HDMI inputs though they are non all created equal. Inputs i-4 are version 1.4a and volition only support incoming Ultra Hd signals at 30Hz. Furthermore only numbers i, ii and v support HDCP two.2. The fifth input is version 2.0 and will take a UHD betoken at 60Hz or a 1080p feed at 120Hz which is peachy if you lot desire to hook up a gaming PC with a high-performance video card.

If you accept analog sources there is a shared component/composite connection bachelor. HDMI ARC is supported on input 1. There are too Ethernet and USB ports and of course the requisite antenna input. The connections are all well-explained in the manual.

The remote is two-sided with Tv set controls on the front and a QWERTY keyboard on the dorsum. This makes entering search terms in the smart TV interface very fast and like shooting fish in a barrel. The keyboard is backlit but unfortunately the front side of the remote is not. Along the meridian are directly-access keys to Netflix, Amazon and iHeart Radio followed past ship controls for the streaming interface.

Then you become bill of fare navigation, channel and volume rockers with a numeric keypad at the bottom. I would take liked to come across keys to toggle the LED Active Zones on and off and access the judder and motion-mistiness reduction sliders.

Full-Array Backlight

After years of seeing full-array backlights only in high-end televisions, Vizio has brought the applied science to a more affordable price point. And given the image quality I enjoyed during my viewing tests, they've washed a superb job.

The concept is pretty simple. Nigh LCD panels set their LED backlights around the edges of the screen. The light is directed past means of a diffuser panel to evenly encompass the entire brandish. While this is a very efficient arroyo, it's much more hard to attune brightness for the purposes of controlling contrast. You're pretty much limited to an car-iris manner dimming system where but large parts of the image tin exist manipulated.

Vizio is using full-array backlights on all K-serial TVs with 32 active zones in an 8×iv filigree. The above photo shows how different areas of the image can be dimmed to increment contrast. In do, very deep blacks are possible because LEDs, dissimilar other lite sources, can be turned completely off or switched very rapidly to lower their output.

This precise control is likewise what's necessary for hereafter HDR support which is something I discussed at length in HDR and Dolby Vision: What They Are and Why You Will Want Them. (https://hometheaterhifi.com/technical/technical-reviews/hdr-and-dolby-vision-what-they-are-and-why-you-will-desire-them/) This engineering coupled with a loftier native contrast VA console is what gives the M65-C1 such good prototype depth and black levels.

Setup

When you commencement plough the M65-C1 on it asks y'all to choose between store demo and home use. And so it moves correct into network setup. Later inbound the advisable information, the set connected to my router without issue. You tin besides use a difficult-wired Ethernet connection for even better speed and reliability. Once I had done this, I hooked up an Oppo BDP-93 Blu-ray actor to the HDMI 4 input and gear up out to explore the large array of image adjustments.

The Motion-picture show menu has all the basic controls correct up front. The backlight can be adjusted through 100 steps which is big improvement over most other TV's v or ten-click options. It tops out at over 90 fL (Foot Lamberts); I set it at 46 for l fL of output. There are six picture modes of which Calibrated and Calibrated Dark are fairly accurate out of the box. All modes are adaptable and one time you've made your changes you can save them to a new memory slot. I called my custom settings Eberle. Once created, the memories are available on all inputs and in the streaming mode.

Additional image controls are found in the More Picture sub-card. Hither you can turn LED Active Zones (zone dimming) on or off, control the frame interpolation and motion-blur reduction, appoint noise reduction and select the gamma. At that place'due south likewise an option called Articulate Action which is Vizio's version of backlight strobing. To reduce motion mistiness the backlight is switched off between frames and information technology does attain that goal. It also visibly reduces lite output and image contrast. I preferred the picture with information technology turned off.

For the instrument-equipped tweaker, there is a carte called Color Calibration that contains a full CMS, xi-betoken grayscale editor and a few test patterns. I didn't need to exercise too much here just I was able to brand measurable improvements in both grayscale tracking and colour accurateness.

You lot tin do a traditional two-point grayscale adjustment in the Colour Tuner simply if y'all want greater control in that location is an boosted eleven-signal editor. I used information technology to firm upwardly the twoscore-percentage brightness level.

After calibration, I was quite impressed with the image. As you lot'll encounter in the benchmarks, colour is very accurate with ruler-flat grayscale tracking and very good gamma. I'thousand very impressed at the quality of this TV and so far; especially considering it just costs $1,500.

In Use

The Mummy

With setup and calibration complete information technology was time to cheque out some Blu-ray movies and then I turned the way-back machine to 1999 and selected The Mummy from my drove. As a torture examination this picture show pretty much has it all; warm saturated color, moments of sharp detail against softer material, dark scenes with murky shadows and some primitive CGI.

The get-go thing I noticed was a slight soap opera effect. That is controlled by the M65-C1's Reduce Judder Slider and is also known equally frame interpolation. There are 10 steps available and annihilation above 2 will smooth move out to where information technology looks un-natural, at least in my opinion. I left it on setting ane which made a nice improvement in motion resolution while however preserving the await and feel of moving-picture show.

The transfer has a fair corporeality of grain and that was rendered nicely without any crawling artifacts. For all viewing I turned off the noise reduction options. With solid transfers like this, noise reduction rarely makes whatever difference in prototype quality.

Color and dissimilarity looked great as expected given my examination results and I enjoyed watching the film very much. The built-in speakers will play adequately loud in a small room and they have a wide but not well-defined soundstage. Dialog is rendered clearly simply at that place isn't a lot going on in the bass frequencies. Since the speakers burn down downwards, the sound can be a fleck tubby depending on how the TV is mounted. It's worth mentioning that Vizio offers a line of soundbars that can help with this deficiency.

Minority Report

The grainy haze of Minority Report was my next test subject. This picture is almost monochromatic so it really needs a high-contrast display to look its all-time. Thank you to Vizio's excellent zone dimming, that goal was reached. I never saw any image pumping or halo effects. And the few splashes of colour at that place were popped right out of the action.

Hither I fiddled with the Reduce Motion Blur slider. The transmission says when you turn information technology up (there are 10 steps) information technology increases the frame rate to reduce movement blur. I could only see the subtlest of effects. There is far more than to be gained from the Reduce Judder option. I learned later the Motility Blur slider only works with 30 and 60fps content whereas the Reduce Judder characteristic is for 24p moving picture material.

Harry Potter and the One-half-Blood Prince

One of my favorite dark content examples is the opening of Harry Potter and the One-half-Claret Prince. There's a scene where Harry and Dumbledore walk through a small village at dusk. Detail in the buildings similar shutter slats and shingles can be very difficult to meet.

Even with LED Active Zones turned on, in that location was never any crushing axiomatic from the M65-C1. This is truly one of the all-time implementations of dynamic contrast I've seen from any display.

San Andreas

I finished upwards with the latest disaster picture show from last summer, San Andreas. It's bright and colorful throughout and in that location is then much CGI used, it's hard to tell what's real and what's rendered. Transfers like this can often await over-processed but the M65-C1 displayed the material with a very natural and conceivable look.

The picture had tremendous pop and depth regardless of the brightness level. And color was properly saturated cheers to the precise scale I was able to achieve.

Ultra HD Viewing

I had hoped to run across announcements from major companies at CEDIA for new Ultra Hd Blu-ray players but I only heard a few general statements and rumors. So for now the simply practical manner to go native UHD content is via streaming. I did this through the M65-C1's Vizio Net Apps Plus interface.

I subscribe to Netflix which offers UHD content merely my plan doesn't include it for the $seven.99 a month I'm paying. Luckily I have an Amazon Prime number membership which does allow access to some UHD streams. I cued up an episode of The Man In The High Castle and watched for quite a while. The clarity was quite first-class especially given how compressed the video must be to stream smoothly over an Net connection. I get about 60mbps over WiFi from BrightHouse and equally a result at that place were no dropouts or stuttering.

I was unable to make a back-to-back comparison between UHD and 1080p using the same content. But other shows I watched in standard Hard disk looked a footling softer. The difference is subtle when you sit further back than viii feet, but UHD was clearer overall.

Vizio Internet Apps Plus

Smart TV interfaces have evolved to the signal where you don't even need to connect a traditional video source to your brandish any longer. All the network connectivity, streaming hardware and software is congenital right into the set up. Vizio calls their version Vizio Cyberspace Apps Plus.

Pressing the centrally-located V button on the remote brings up a scrolling bar beyond the bottom of the screen. Here you can move through various content options, check out stocks, news and atmospheric condition and even bring up radio feeds. This is all provided you have a functioning Net connection to the M65-C1 which is the first affair it asks you to set.

I actually liked the simplicity of the app bar though if you desire to fill the screen with icons, that pick is available. New apps tin be added as they go bachelor. I had good luck streaming Netflix content over my WiFi network but if you want the fastest and most robust connection, claw up an Ethernet cable to the TV'south RJ-45 input.

Navigating the various screens is via directional keys on the remote. But typing in search terms is super-piece of cake thanks to the QWERTY keyboard on the dorsum of the remote. Information technology really beats selecting letters on-screen with directional keys. I'chiliad too glad to see Vizio has made no attempt to use a wireless mouse interface like some other TVs. I have yet to detect one that works properly.

On The Bench

To mensurate the color accuracy of the M65-C1 I used an i1Pro spectrophotometer, along with an Accupel DVG-5000 signal generator and CalMAN five.two to command the instruments and crunch the numbers. Luminance tests were performed with a Spectracal C6 tri-stimulus meter.

The TV ships set to its Standard style with the backlight maxed at 100. This will give you around 92 footLamberts of tiptop white output, more than enough for the brightest living room or sports bar.

Grayscale and Gamma Tracking

Of the 3 color temp presets Normal is the warmest and it's still much to cool. Red runs off the nautical chart completely by the 60-percent level and green almost disappears at 80 but makes a improvement in the brightest steps. Blueish meanwhile is very forward. All of this makes for a fairly flat motion picture that looks vivid just lacks depth and color detail.

The M65-C1 offers two color-accurate modes called Calibrated and Calibrated Night. They only differ in their position of the backlight command. The graph in a higher place represents Calibrated and as you can encounter, grayscale tracking is pretty good with all errors below the visible threshold. Gamma however is another story. It looks that way cheers to the LED Active Zones option. It'due south turned on by default. It doesn't make for a proficient chart just in practise, it increases perceived contrast significantly.

To calibrate the grayscale and gamma tracking I turned off LED Agile Zones. That evens out gamma pretty well though I had to bump the preset up to two.four for all-time results. With a few tweaks to the RGB proceeds and bias controls as well as the 40-pct level of the 11-signal white residue editor, I got the grayscale error well under one Delta E. This is excellent performance especially for a $1500 television receiver.

Once the calibration was consummate I turned LED Active Zones back on. The gamma returned to its previous state. You lot might think this would have a negative impact on paradigm quality only honestly I don't believe it does. The issue comes down to the way gamma is measured. Using the zone dimming increases dissimilarity and improves the picture. It simply doesn't produce a expert-looking gamma chart.

Color Gamut and Luminance Accuracy

Similar the grayscale results above, Standard mode looks pretty rough in the color gamut and luminance tests. The too-blue white signal pulls the secondary colors well off their targets. And the skewed gamma hurts both the saturation and luminance measurements.

Switching to the Calibrated mode cleans upwardly the CIE chart beautifully merely gamut luminance still suffers when LED Active Zones are turned on. I yet maintain that the Tv set looks better that way fifty-fifty though my charts say otherwise.

With LED Active Zones off and a few small adjustments to the color management system I achieved results worthy of a high-end professional figurer monitor. This is well beyond what I'd await from a $1500 Television.

I've included this final chart to show how gamma interacts with color accuracy. The CIE chart looks OK but luminance values are quite high. Over again it's not a flaw in the Tv as much equally it is in the way gamma is measured. Fifty-fifty though I stand behind this testing methodology, it's of import to do a visual reality check especially when whatsoever sort of dynamic range manipulation (zone dimming for example) is beingness used.

I was surprised past these results. Very few displays clip above-white or below-black. This isn't a big deal since video content isn't supposed to incorporate information below level 16 or higher up level 235. But there are occasions when that rule is bent. It didn't impact any of the content I watched though.

I was also surprised to run across the M65-C1 pass the 2:2 test and fail the 3:ii one. That's a outset in my feel. If you lookout whatever interlaced content; namely DVDs (480i) or Blu-rays in 1080i (similar some concert videos), it's best to let your thespian handle the video processing.

Contrast Performance

I adjusted the M65-C1's backlight to an output level of 49.2439fL. With zone dimming turned off the measured black level was .011fL and the contrast ratio was 4482.6:one. This is the panel's native contrast and I'd say that's decent for an average LCD panel.

I attempted to measure contrast with LED Active Zones turned on but was unable to become a black level reading. The backlight does not plough completely off during a zero-betoken status equally I was able to see the faintest glow in my otherwise-dark theater. But the Spectracal C6 meter was unable to go a reading.

Regardless of picture mode, if y'all turn the backlight upwardly to 100 the output is over 92fL. Contrast remains consequent at just over 4500:1. That means those who want to spotter TV in a vivid room tin can savour a precisely-calibrated paradigm at the same time. Color and grayscale accuracy remain excellent in the Calibrated mode with or without adjustment. And the LED Agile Zones option doesn't seem to affect color in the slightest.

Conclusions

For only $1500 THE VIZIO M65-C1 equals or betters more expensive displays in pic quality, colour accuracy, features and user interface.

Likes

• First-class image quality with full-array backlight
• Full set of calibration controls
• Accurate out of the box in Calibrated and Calibrated Nighttime modes
• Bright enough for well-lit rooms
• Intuitive Vizio Cyberspace Apps Plus smart TV interface
• Superlative value

Would Similar To Run across

• Fully backlit remote
• More image controls on remote
• Multi-indicate gamma editor

At this price, it'south pretty hard to lodge any complaints nearly the M65-C1. It was simply two years agone that an Ultra Hard disk tv set this size would have cost yous at to the lowest degree $5000 and even terminal year you'd accept paid around $3000. That Vizio tin can deliver this kind of quality for only $1500 is pretty incredible.

For the majority of owners who can't calibrate their sets, this Goggle box offers ii good picture modes that volition get you about 90 percent to a reference-quality moving picture. All you lot take to do is select Calibrated and fix the backlight to your preferred brightness level. And with over 90fL output bachelor, you can identify it just well-nigh anywhere and information technology will expect fantastic.

And I can't end my review without one more mention of the full-assortment backlight. x years agone when the technology showtime appeared, you couldn't get it on anything but a super-expensive display. Unfortunately that didn't change until Vizio added it to their M-series and Reference-series televisions. Now anyone can savour the superb dissimilarity that results.

I've watched a lot of dissimilar TVs over the years and LCD ever seemed like a compromise. It does fine with colour accurateness and brightness merely I never saw blackness levels similar those produced by plasma and OLED. With its zone dimming, Vizio has come almost as close equally you can get to those technologies. When my Pioneer Kuro dies anytime I'll probably attempt to buy an LG OLED screen but if that proves to be out of reach, I'd requite serious consideration to a Vizio. The M65-C1 receives my highest recommendation. It is truly i of the best TVs I've reviewed to-appointment.

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Source: https://hometheaterhifi.com/reviews/video-display/hdtv/vizio-m65-c1-ultra-hd-tv-review/

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